Profile: 子芸曾 – Real Leather Design Competitions

子芸曾

Beijing Institute of Fashion Technology

我是一名就读于北京服装学院箱包专业的大三学生。从进入这个专业开始，我就对皮具与箱包的设计与制作充满了热情。相比于纸上谈兵的构思，我更喜欢把想法动手实现出来的过程，这种从无到有的体验让我感到非常充实，也不断激发我对这个行业更深层次的兴趣。我是一个完美主义者，做事细致认真，尤其在面对设计和工艺时，更愿意花时间去推敲每一个细节。从选材、配色、结构设计，到最终的制作呈现，我会反复思考和修改，直到自己满意为止。也正因为这种性格，我在动手能力方面有比较扎实的积累，能独立完成从设计图纸到样品制作的整个流程。在专业学习方面，我熟练掌握了Rhino、Adobe Illustrator、Photoshop等设计软件，能够运用这些工具辅助我更清晰地表达设计理念。同时，在课程之外我也不断练习手工技艺，尝试不同材料与工艺的结合，提升自己的综合能力。近年来，我尤其关注皮革行业在可持续发展方面的探索。随着环保意识的提升，传统皮革制造带来的环境问题越来越被重视。我希望通过自己的学习和实践，了解并运用更环保、低碳的材料和工艺方式，比如植鞣革、再生皮料等，在设计中尽可能平衡功能、美感与环保理念。我相信，设计不仅是创造美的过程，更承载着社会责任。我相信“有温度”的作品是打动人心的关键。每一件亲手完成的箱包，都是一次独特的表达，融入了我的思考、情感与对生活的理解。未来，我希望自己能在箱包设计领域持续深耕，做出更多有质感、有思想、也有环保意识的作品。 I am a junior student majoring in luggage at Beijing Institute of Fashion Technology. Since I entered this major, I have been passionate about the design and production of leather goods and luggage. Compared with the conception on paper, I prefer the process of realizing the idea by hand. This experience from scratch makes me feel very fulfilled and constantly stimulates my deeper interest in this industry. I am a perfectionist and do things meticulously and seriously. Especially when facing design and craftsmanship, I am more willing to spend time to consider every detail. From material selection, color matching, structural design, to the final production presentation, I will think and modify repeatedly until I am satisfied. It is precisely because of this character that I have a relatively solid accumulation of hands-on ability and can independently complete the entire process from design drawings to sample production. In terms of professional learning, I have mastered design software such as Rhino, Adobe Illustrator, and Photoshop, and can use these tools to help me express my design concepts more clearly. At the same time, outside of the course, I also continue to practice manual skills, try to combine different materials and processes, and improve my comprehensive ability. In recent years, I have paid special attention to the exploration of sustainable development in the leather industry. With the improvement of environmental awareness, the environmental problems caused by traditional leather manufacturing are becoming more and more important. I hope to understand and use more environmentally friendly and low-carbon materials and processes, such as vegetable tanned leather and recycled leather, through my own learning and practice, and balance the function, beauty and environmental protection concept in the design as much as possible. I believe that design is not only a process of creating beauty, but also carries social responsibility. I believe that "warm" works are the key to touching people's hearts. Every bag I make by hand is a unique expression, which incorporates my thoughts, emotions and understanding of life. In the future, I hope that I can continue to deepen my research in the field of bag design and make more works with texture, ideas and environmental awareness.

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《风蚀之貌》

Category: Accessories

Competitions: China Mainland

设计说明：本作品以“沙丘”作为形态语言，承载了对自然秩序与可持续未来的深刻思考。沙丘作为自然演化的结果，由风塑成、由时间沉积，展现出了一种自然美学。在面对生态危机与资源过度消耗的当下，本设计试图以自然形态唤起对环境保护的共鸣。包包主体采用可再生植鞣革，通过回收咖啡渣进行染色，采用叠层切割与热压塑形技艺形成起伏有致的“沙丘肌理”，体现自然时间作用下的雕刻之美。提手结构则取材于自然曲线-风形轮廓-以可持续木材制成框架，并通过麻绳张力连接包体，构成形式上的“悬浮感”，表达自然与人工秩序的张力与和解。 “风蚀之貌”不是为了还原自然，而是想让人们看见自然在可持续材料与结构中的回响。在这个过度制造的时代，我们是否愿意让设计慢下来，不只是借形于自然，而是学会像它一样，留下而不过度表达。 Design Description: This work uses "sand dunes" as a morphological language, carrying a profound reflection on the natural order and sustainable future. As a result of natural evolution, sand dunes are shaped by wind and deposited by time, showing a natural aesthetic. In the face of ecological crisis and excessive resource consumption, this design attempts to evoke resonance with environmental protection in natural forms. The main body of the bag is made of renewable vegetable tanned leather, dyed by recycled coffee grounds, and the undulating "sand dune texture" is formed by stacking cutting and hot pressing shaping techniques, reflecting the beauty of sculpture under the action of natural time. The handle structure is based on natural curves-wind-shaped contours-made of sustainable wood frames, and the bag body is connected by hemp rope tension, forming a formal "suspension sense", expressing the tension and reconciliation between natural and artificial order. "Eroded Profile" is not to restore nature, but to let people see the echo of nature in sustainable materials and structures. In this era of over-manufacturing, are we willing to slow down the design, not just borrowing from nature, but learning to stay like it without over-expression.

子芸 曾

《风蚀之貌》

子芸曾