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PINCHIEN LIAO

Shih Chien University

Fashion Design BFA

Womenswear, Menswear, Other/ Not listed

I'm a fairly lazy person, but when I come across something that excites or interests me, I become filled with enthusiasm and anticipation. Usually, I like to relax at home, watching various movies and TV shows, immersing myself in the world of film and television. However, I also have a strong love for outdoor activities, especially those that allow me to soak up the sun and enjoy the beauty of nature. Whether it's free diving or playing volleyball on the beach, I find joy in being outdoors. Currently, I'm studying fashion design in college, and this field excites me because it allows me to express myself creatively and artistically. I enjoy exploring new design concepts, often drawing inspiration from the freedom and energy of the outdoors. Overall, while I might be a bit lazy, once I find something I'm passionate about, I throw myself into it completely, striving to do my best.

BONEFALL

Category: Accessories

Competitions: Taiwan Region

The inspiration for this piece came from a photo I took of myself at the beach. In the image, I stood between sunlight and waves—strong, yet with a softness that felt almost vulnerable. That moment made me reflect on the body—not just as a symbol of strength, but as something that time and nature can slowly erode. Starting from that feeling of being both resilient and worn down, I imagined a coconut tree growing a skull instead of fruit—something that falls, breaks, and becomes part of the sand. The palm leaves became rib-like lines, and the lace and wave-textured leather represent the traces left by the sea. This bag is a way of carrying that moment with me—a personal story transformed into an object. The bag’s form draws from the linear spread of palm leaves, reimagined as rib-like structures. These lines are translated into layered leather panels, creating a rigid yet organic silhouette—like a silent skeleton that shelters the bag’s interior. The design blurs the boundary between plant and body, expressing the shared fragility and resilience of nature and human life.

SEAFARING COWBOY

Category: Apparel

Competitions: Taiwan Region

Western cowboy culture has a rich history, evolving from a unique blend of influences, many of which were brought to America through seafaring and maritime exploration. This merging of Western elements with the open sea created a fascinating hybrid of cultural motifs. At the heart of this concept is the integration of rugged, traditional cowboy materials like leather with the fluid, smooth lines often associated with the ocean and maritime life. Cowboy culture itself embodies a sense of adventure, independence, and resilience—traits that also characterize the spirit of the sea. The leather commonly used in Western wear and gear represents the hardiness and durability required for life on the range. This robustness contrasts yet complements the soft, flowing forms found in the ocean’s waves and the gentle undulation of the sea's surface. The idea of merging these seemingly contrasting themes leads to a unique aesthetic. It celebrates the boldness and strength of cowboy culture while embracing the elegance and tranquility of the ocean. Designs that encapsulate this concept may feature traditional Western styles infused with elements reminiscent of maritime life, such as smooth curves, wave-like patterns, or aquatic colors. The juxtaposition of rough textures and graceful contours creates a visually striking and culturally resonant outcome. This fusion of Western cowboy culture with seafaring elements not only nods to historical roots but also offers a modern interpretation that speaks to a broader range of influences. It allows designers and creators to explore a new dimension where traditional and contemporary themes coexist, leading to fresh and innovative expressions in fashion, art, and design. By incorporating these oceanic inspirations, the concept creates a bridge between the ruggedness of the Old West and the timeless allure of the sea, illustrating that the boundaries between land and ocean, tradition and innovation, can be both fluid and harmonious.

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