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津 王

Sichuan University

我是王,四川大学轻工科学与工程学院服装与服饰设计专业的学生,对艺术与设计充满热情,比较擅长通过符号转化、结构分析和创意联想探索设计的过程。我在设计的时候会着重注重从传统文化、自然形态和现代美学中提取视觉元素,并尝试将其用富有深意的设计语言表达出来。在专业学习中,我不断积累服装的结构设计能力,同时运用手绘、数码绘画和拼贴等多种媒介进行创意表达,力求同时达到兼具实验性和实用性。 在校期间,我积极参与设计专业学习和跨学科项目,曾以符号学为灵感设计系列服装,探索身份认同与视觉隐喻的关系。此外,我也关注可持续时尚,尝试通过材料创新和结构优化减少设计对环境的影响。未来,我希望在服装设计领域深入研究,尤其数字服装等虚拟产品的设计,探索科技与美学的结合。 闲暇时,我热衷于观察生活中的细节,通过速写和摄影记录灵感,并喜欢研究不同文化的视觉符号。我相信,好的设计不仅是视觉的呈现,更是思想与情感的传递。期待与志同道合的伙伴交流合作,共同探索设计的无限可能! I'm Wang, a student majoring in Clothing and Accessories Design at the College of Light Industry Science and Engineering, Sichuan University. I am passionate about art and design and am particularly skilled at exploring the design process through symbol transformation, structural analysis, and creative association. When designing, I focus on extracting visual elements from traditional culture, natural forms, and modern aesthetics, and attempt to express them in a design language that is rich in meaning. In my professional studies, I have been constantly building my ability in structural design of clothing, and at the same time, I use various media such as hand drawing, digital painting, and collage for creative expression, striving to achieve both experimental and practical results. During my school years, I actively participated in design studies and interdisciplinary projects. Inspired by semiotics, I designed a series of clothing to explore the relationship between identity and visual metaphor. Additionally, I am concerned about sustainable fashion and have attempted to reduce the environmental impact of design through material innovation and structural optimization. In the future, I hope to conduct in-depth research in the field of fashion design, especially in the design of virtual products such as digital clothing, to explore the integration of technology and aesthetics. In my spare time, I am passionate about observing the details of life, recording inspirations through sketches and photography, and enjoy studying visual symbols of different cultures. I believe that good design is not only a visual presentation but also a transmission of thoughts and emotions. I am looking forward to collaborating and exchanging ideas with like-minded partners to explore the infinite possibilities of design together!

Memories of Iron City

Category: Apparel

Competitions: China Mainland

服装的灵感来源于攀枝花这座城市 攀枝花地形崎岖,有着非常浓厚的工业历史 以丰富的矿产哺育着周边城市的发展 然而过度的开采终究给她带来了不可磨灭的环境破坏 我们要将对小镇往事与自然和谐的追忆延续下去,继承到未来 所以选择了吸引年轻人的户外风格作为服装的基调 更精确地向他们传达这份理念 非常大的廓形可以避免皮革贴身的紧迫感 牛仔、皮革都是是高污染行业 这款服装的材料用了皮革、薄牛仔和卡其布 通过对皮革和牛仔面料的有效回收利用 减少废弃的材料直接对环境造成污染 颜色采用了低饱和度的浅蓝和米黄色 更加符合当地年轻人审美 同时,我们想要强调的并不是历史的沉重 我们更希望当人们了解到目前的困境之后 能够找到逆转问题的希望 迈向更好的明天 工艺用了拼接、贴片和皮革运动化处理 皮革运动化是指将皮革缝合在另外一片具有弹性的面料上之后,只划开皮革层的部分 使面料拥有皮革耐磨性的同时,又拥有一定的延展性,提高了皮革的运动性能 这些工艺不仅是为了模拟地形图的块面结构,也是为了扩展皮革材料的可使用范围 提高了皮革的可利用率,这也是对环境的一种保护 The inspiration for the clothing comes from the city of Panzhihua. Panzhihua has a rugged terrain and a very rich industrial history. It has nurtured the development of surrounding cities with its abundant mineral resources. However, excessive mining has ultimately brought about irreversible environmental damage to it. We want to continue the memory of the town's past and the harmony with nature into the future. Therefore, we chose an outdoor style that attracts young people as the base of the clothing to convey this idea more precisely to them. The very large silhouette can avoid the tight feeling of leather against the body. Leather and denim are both highly polluting industries. The materials used for this clothing include leather, thin denim, and khaki fabric. By effectively recycling and reusing leather and denim fabrics, we can reduce the pollution caused by discarded materials directly to the environment. The colors used are light blue and beige with low saturation, which are more in line with the aesthetic preferences of local young people. At the same time, what we want to emphasize is not the heaviness of history. We hope that when people understand the current predicament, they can find hope to reverse the problem and move towards a better tomorrow. The techniques used include patchwork, applique, and leather sportification. Leather sportification refers to sewing leather onto another elastic fabric and then cutting only the leather layer partially, so that the fabric has the wear resistance of leather while also having a certain degree of stretchability, improving the sport performance of the leather. These techniques are not only to simulate the block structure of the terrain map but also to expand the application range of leather materials, increase the utilization rate of leather, and this is also a form of environmental protection.

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