儷薰 許

Category: Apparel

Competitions: Taiwan Region

The fashion industry is one of the major contributors to global waste. As someone who finds it hard to throw clothes away, I wanted to repurpose used garments, bags, and shoes by reconstructing them into new silhouettes. By piecing together small fragments of leather into large pattern pieces, I aim to reduce waste and breathe new life into discarded accessories. Fast fashion has led to an overwhelming amount of clothing and accessory waste. Through this reconstruction process, I seek to redefine these objects by merging patterns from garments, bags, and footwear — turning the old into the new. By blending materials of various textures and origins, I explore the limitless possibilities of what fashion can become. The theme is called Reconstructed Memories because clothing and accessories are things we carry with us every day — they accompany us, shape us, and eventually become a part of who we are. They hold our memories. Through this project, I aim to transform these familiar items, distorting their conventional forms to create new memories and a renewed sense of self. 由於時尚界是蠻容易造成浪費的產業，自己平時也是捨不得丟棄衣服的人，所以想使用舊衣包包鞋類等的素材去做服裝的拼接，使用碎皮革拼接成大面積的服裝裁片，不要造成過多的浪費，也讓一些服裝配件有新的生命 而舊衣舊配件等也因為快時尚而造成許多的浪費，想藉由服裝、鞋子、袋包的版型碰撞中重新定義他們，讓舊東西轉變成新東西，也藉由不同性質素材的蒐集讓服裝有更多的可能性。 主題會叫做疊構記憶，因為我們的服裝與配件都會是平時我們穿在身上攜帶在身邊的東西，而那些東西也會成為我們自己，成為我們的記憶，藉由這次的改造讓他們變形，改變常人對他印象中的樣態，變成新的記憶，新的自己

Category: Apparel

Competitions: Taiwan Region

現在大家生活的步調愈來愈快速，或許再快下去就能追上光速，因為對外太空或平行時空非常有興趣，總覺得人類如果快到能追上光速的話就能衝破著個世界，將我們所看到的「時空」捅破，我想像中的裂縫會是在黑暗中有著不規則白色裂縫的樣子，而我在此次設計中在上衣運用了這個想法，二次將皮革加工讓白色裂縫呈現在皮料上。 而下身誇大的褲型代表著沙漏、時間流逝的型態，現代人總是在與時間追逐，時不時看看自己的時間永遠都覺得不夠，有種在看著沙漏中的沙粒慢慢下墜的緊張感。 因為皮革比較硬挺，所以設計出比較奇形怪狀的模樣，代表著自己理想中時空碎裂後看到未知的景象，或許人的腿可以卷在一起變成很酷的腳，或許大家的肩頸不再疼痛，變成漂亮的直角肩，還有著像戰士一樣堅強的手臂，這些都是我想像中時空碎裂後看到的景象。