Negative Eye
Category: Accessories
Competitions: Taiwan Region
我嘗試透過這個設計方案探討一個問題：當我們被迫面對自己最黑暗的情緒時，會選擇壓抑、逃避，還是與之共生？ 整體造型上，我融合了生物解剖結構與擬態觸手的意象，使眼球不只是靜態器官，而像是有意識般地纏繞、干涉宿主，象徵情緒對身體與行為的反噬作用。在材質選擇上，我運用人工合成毛皮、PVC海綿與植鞣皮，營造出「有機卻非自然」的感覺，加強詭異與不安感。 這件作品不僅是造型設計的實驗，更是一場心理層面的視覺寓言：「那顆眼睛，其實是我們內心的一部分，只是終於被迫看見了。」 I attempted to explore a central question through this design concept: When we are forced to confront the darkest corners of our emotions, do we choose to suppress them, run from them, or coexist with them? In terms of form, I integrated anatomical structures with the imagery of mimetic tentacles, transforming the eye from a passive organ into something that feels sentient—entwining and interfering with its host. This symbolizes the backlash of emotions on both the body and behavior. For material choices, I used synthetic fur, PVC foam, and vegetable-tanned leather to create a sensation that feels organic yet unnatural, enhancing the eerie and unsettling atmosphere. This work is not only an experiment in form and character design, but also a visual parable on a psychological level: “The eye is not an invader—it is a part of us we’re finally forced to see.”
