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余恩 何

Shih Chien University

目前就讀於實踐大學服裝設計碩士班,大學畢業於台南應用科技大學時尚設計系,主修配件設計。期望透過研究所課程,整合服裝與配件的知識,進一步理解時尚設計的整體性。 在實際製作皮革產品及參與製鞋產業的過程中,我觀察到備料階段產生了大量廢料。因而對本次比賽所倡導的理念深感認同,也希望藉此機會創作出兼具設計感與環保精神的作品。 I am currently pursuing a Master's degree in Fashion Design at Shih Chien University. I earned my Bachelor's degree in Fashion Design from Tainan University of Technology, where I specialized in accessory design. Through my graduate studies, I aim to integrate knowledge of both apparel and accessories to gain a more comprehensive understanding of fashion as a whole. In my experience making leather products and working in the footwear industry, I observed a significant amount of waste generated during the material preparation process. This has made me resonate deeply with the values promoted by this competition. I hope to take this opportunity to create a piece that combines strong design aesthetics with environmental consciousness.

包伴 Bag Companion

Category: Apparel

Competitions: International

在可持续时尚的背景下,皮革仍然是一种矛盾的材料。 虽然其生产带来了一定的环境负担,但其耐用性和永恒性符合 “少买,但买得更好” 的可持续理想。 这部名为《宝板》的作品从包的结构逻辑开始,重新构想了它们与服装结构和功能的关系。 我观察到包在日常生活中是独特的载体,并试图将其面板结构和体积扩展技术转化为服装的设计语言 - 允许穿着者和物体之间更深入的互动。 设计重点是服装和包之间的转换和功能融合。 通过改变拉链的位置和手柄的放置,可以重新配置磨损的形式 - 使单个件能够在可穿戴服装和功能袋之间自由移动。 包不再只是搬运东西的配件,而是可以戴在身体周围,并在您移动时陪伴您。 在 “服装” 和 “包” 之间的过渡中,皮革的使用场景和消费得到了扩展。 在永續時尚的語境中,皮革始終是一個矛盾的材料。 雖然皮革的生產對環境造成一定負擔,但其耐用、經久不衰的特性,正契合「少買、但買得好」的永續精神。 本作品以「包伴」為題,從袋包的構造出發,重新思考與衣物的結構與功能。 我觀察到袋包在日常生活中作為「承載」的角色獨特性,並嘗試將其版片的結構與擴型轉化為服裝語彙,使穿戴者與物件之間建立更深層的互動關係。 設計上,著重於服裝與袋包之間的形式轉換與機能融合,輔料拉鍊拉合的位置與提把的拉升的不同,也可變換穿著的型態,使單一作品能再攜帶與穿戴間自由切換。 袋包不再只是承載的配件,而是可以包覆身體隨身穿戴、伴你移動。在「衣」與「包」的轉換之間,延長單一皮革的使用場景與壽命。

variation

Category: Footwear

Competitions: Taiwan Region, International

Due to the irregular shape and natural stretchability of leather, combined with the curved patterns of shoe uppers designed to follow the contours of the foot, a significant amount of leather waste is generated during material preparation and layout. To address this, the shoe upper pieces are designed using geometric shapes and assembled through interlocking structures. This approach not only effectively reduces material waste but also allows for a variety of upper designs to be created from just a few fixed-shaped pieces. These can be adjusted and customized according to different foot shapes and the wearer's preferences. 由於皮革具有不規則的形狀與天然的延展性,加上鞋面版型因應腳部曲線所產生的弧線,導致在備料與排版過程中產生大量皮革廢料。 因此以幾何形狀設計鞋面版片,並透過卡榫結構進行組合。這種設計不僅可有效減少材料浪費,還能以少數幾片固定形狀的版片,組合出多樣化的鞋面造型,根據不同腳型與穿著者的喜好進行調整與變化。

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