目前就讀於實踐大學服裝設計碩士班,大學畢業於台南應用科技大學時尚設計系,主修配件設計。期望透過研究所課程,整合服裝與配件的知識,進一步理解時尚設計的整體性。 在實際製作皮革產品及參與製鞋產業的過程中,我觀察到備料階段產生了大量廢料。因而對本次比賽所倡導的理念深感認同,也希望藉此機會創作出兼具設計感與環保精神的作品。 I am currently pursuing a Master's degree in Fashion Design at Shih Chien University. I earned my Bachelor's degree in Fashion Design from Tainan University of Technology, where I specialized in accessory design. Through my graduate studies, I aim to integrate knowledge of both apparel and accessories to gain a more comprehensive understanding of fashion as a whole. In my experience making leather products and working in the footwear industry, I observed a significant amount of waste generated during the material preparation process. This has made me resonate deeply with the values promoted by this competition. I hope to take this opportunity to create a piece that combines strong design aesthetics with environmental consciousness.
Due to the irregular shape and natural stretchability of leather, combined with the curved patterns of shoe uppers designed to follow the contours of the foot, a significant amount of leather waste is generated during material preparation and layout.
To address this, the shoe upper pieces are designed using geometric shapes and assembled through interlocking structures. This approach not only effectively reduces material waste but also allows for a variety of upper designs to be created from just a few fixed-shaped pieces. These can be adjusted and customized according to different foot shapes and the wearer's preferences.
由於皮革具有不規則的形狀與天然的延展性,加上鞋面版型因應腳部曲線所產生的弧線,導致在備料與排版過程中產生大量皮革廢料。
因此以幾何形狀設計鞋面版片,並透過卡榫結構進行組合。這種設計不僅可有效減少材料浪費,還能以少數幾片固定形狀的版片,組合出多樣化的鞋面造型,根據不同腳型與穿著者的喜好進行調整與變化。
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