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LI-WEN SU

Shih Chien University

I am a fashion design practitioner focused on the relationship between structure, materiality, and the body. My practice centers on exploring clothing as a second skin, where garments function as an extension of the body and a medium for identity construction. Through the study of proportion, silhouette, and surface detail, I investigate the boundaries between physical form and conceptual presence. My design process prioritizes conceptual clarity and formal reduction, aiming to distill ideas into essential visual and functional expressions. Rather than relying on decoration, I focus on construction logic, spatial balance, and the tension created through restraint. This approach allows each piece to maintain a controlled yet expressive visual language. Over time, I have developed a minimal and cold aesthetic system that emphasizes consistency, precision, and material honesty. My work often reflects an interest in subtle distortion, structured simplicity, and the quiet intensity of form. Through continuous experimentation and refinement, I aim to build a coherent design language that remains disciplined while still open to interpretation. Looking forward, I intend to further extend this methodology into a more defined personal framework, developing a recognizable approach to garment expression that bridges concept, body, and structure.

SECOND SKIN : CHOSEN FORM

Category: Apparel

Competitions: Taiwan Region

The human body is born with a first skin, while clothing becomes the second skin chosen later in life. Both communicate identity, yet they represent different layers of self-expression. The first skin is the closest form of the authentic self. Through tattoos, piercings, scars, and adornment, people intentionally leave marks on their bodies to express personal experiences, attitudes, and inner identity. These choices are not merely decorative — they are direct statements of self-recognition. The second skin is the outward image created through clothing. Once worn, garments become the first surface through which others perceive, judge, and interpret an individual. It reflects social expectations, assigned roles, and the identity recognized from the outside. Titled SECOND SKIN : CHOSEN FORM, this project explores the relationship between the true self and perceived identity through contrasting front and back views. The front uses nude-toned leather patchwork, perforations, stitched seams, and metal hardware to symbolize the marks intentionally placed on the first skin. The back presents a clean black leather trouser structure with pockets and chain details, representing the controlled image understood by society. From a sustainability perspective, leather was once the first skin of an animal. Through reuse and craftsmanship, it becomes the second skin worn by humans. This material cycle redefines leather not as waste, but as a valuable medium with an extended lifecycle and renewed purpose. The animal’s first skin becomes the human’s second skin. The authentic first self becomes the visible second identity through clothing. This project suggests that what we wear each day is not only clothing — it is the version of ourselves seen by others, and reused materials can also be given a new life.

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