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楚竣 林

Sichuan University

出生于中国福建省泉州市石狮市,目前就读于四川大学服饰与服装设计系。在校期间,我始终以严谨务实的态度深耕专业领域,系统学习服装设计理论、结构工艺与材料创新知识,并积极参与各类赛事与实践项目,不断打磨创意表达与落地制作能力。 曾获未来设计师省级三等奖、米兰设计周省级一等奖、真皮真自我皮革设计大赛优秀奖。这些经历让我在不同主题的创作中积累了经验,也让我对设计的理解不断深化。我始终坚持从生活与文化中汲取灵感,探索传统与现代、实用与创意的融合,力求让作品兼具人文温度与时代表达。 Born in Shishi, Quanzhou, Fujian Province, China. I am currently studying in the Department of Apparel and Fashion Design, Sichuan University. During my studies, I have dedicated myself to my major with a rigorous and practical attitude. I have systematically learned fashion design theories, pattern craftsmanship and material innovation, and taken part in various competitions and practical projects to polish my creative thinking and production skills. I have won the Provincial Third Prize in the Future Designer Competition, the Provincial First Prize in the Milan Design Week, and an Excellence Award in the True Leather, True Self Leather Design Competition. These experiences have enriched my creative experience and deepened my understanding of design. I always draw inspiration from daily life and culture, and explore the integration of tradition and modernity, practicality and creativity, striving to endow my works with humanistic warmth and contemporary features.

Modu-Trek模途

Category: Apparel

Competitions: China Mainland

本设计以轻户外生活方式的发展趋势为背景,围绕“模块化”与“可持续”两大核心理念展开研究。针对传统户外服装功能固定、场景适应性不足以及局部损坏后难以维修的问题,提出基于激光切割皮革工艺的模块化服装设计方案。设计借鉴传统榫卯结构原理,将标准化几何模块与互锁连接系统结合,实现服装部件的自由拼接、拆卸与重组,以满足通勤、徒步、露营等多场景穿着需求。材料选用头层牛皮、灵芝皮革及功能性面料,通过耐用材料与可再生材料的结合,提高产品使用寿命与资源利用效率。整体造型以未来主义机能风格为导向,运用几何结构语言构建立体廓形,在强化功能性的同时形成鲜明的视觉识别特征,探索轻户外服装在功能创新、个性表达与可持续发展之间的平衡关系。 This project explores the concepts of modularity and sustainability within the context of the growing light outdoor lifestyle. Addressing the limitations of traditional outdoor apparel, such as fixed functionality, limited adaptability, and difficulty in repair, the design proposes a modular garment system based on laser-cut leather fabrication. Inspired by traditional Chinese mortise-and-tenon construction, standardized geometric modules are combined with integrated interlocking connections, allowing garments to be assembled, disassembled, and reconfigured according to different scenarios, including commuting, hiking, and camping. Full-grain leather, mycelium leather, and functional textiles are selected to balance durability, comfort, and environmental responsibility. Through the combination of renewable materials and modular construction, the design extends product lifespan and reduces material waste. The collection adopts a futuristic functional aesthetic, using geometric structures to create sculptural silhouettes while expressing a distinctive visual identity. The project aims to explore a balance between functionality, personalization, and sustainable development in contemporary outdoor apparel design.

雕古琢今Carve ancient and modern

Category: Apparel

Competitions: China Mainland, International

《雕古琢今》灵感源于李白《蜀道难》的时空意象,从天空俯瞰昆仑山脉的地质褶皱为创作原点——当雪线更迭勾勒生命年轮,岩层肌理诉说亿万年光阴,自然以时间为笔书写可持续的生存密码。这套服装以植鞣牛皮为载体,通过湿塑工艺复刻昆仑山脊的立体轮廓,烫银工艺印花精准勾勒冰川纹路,将地质运动的「时间褶皱」转化为可穿戴的时尚符号。工艺上融合数字建模预成型技术,使皮革剪裁损耗率降低40%,环保箔膜烫印工艺更契合当下低污染生产标准。设计语言将岩层断层解构为外套的立体线条,以街头潮流廓形碰撞自然肌理,让地质时间维度与现代时尚美学形成对话。选用的头层牛皮以耐用属性呼应「超越季节的穿着周期」理念,进一步强化「永续时尚」的消费价值。系列以「地质时间尺度下的时尚存续」为商业内核,正如昆仑山脉用岩石层记录地球故事,本系列试图以皮革为介质,让时尚成为承载环境记忆、可循环经济的当代图腾。 Design Philosophy: "Carve ancient and modern" draws inspiration from Li Bai's Shu Dao Nan, taking the Kunlun Mountains' geological folds from above as its origin—where snowline shifts and rock strata embody time's sustainable codes. Crafted with vegetable-tanned cowhide, it uses wet-molding to replicate Kunlun's ridges and hot-stamped silver printing for glacial patterns, turning geological "time folds" into wearable symbols. Digital pre-molding reduces leather waste by 40%, with eco-foil stamping meeting low-pollution standards. Design deconstructs rock faults into 3D lines, blending streetwear silhouettes with natural textures. Durable top-grain leather extends wear cycles, enhancing "sustainable fashion" value. Centered on "geological-time fashion sustainability," the series uses leather as a medium for environmental memory and circular economy, like Kunlun's rocks recording Earth's history.

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