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Tzu Jung Hung

Fu Jen Catholic University

My name is Hung Tzu Jung, and I am currently a first-year master's student in the Department of Textiles and Clothing at Fu Jen Catholic University in Taiwan. My work focuses on fashion design with a strong interest in knitting techniques. I have experience developing a knitwear sweater collection, which allowed me to explore the relationship between structure, material, and silhouette through hands-on practice. My design approach emphasizes the integration of craftsmanship and contemporary aesthetics, aiming to reinterpret traditional knitting techniques within modern fashion contexts. I am particularly interested in experimenting with material innovation and garment construction to create distinctive and expressive works. Through my studies and practice, I continue to refine my skills in design development, textile application, and styling. In the future, I hope to further expand my creative language and establish myself as a fashion designer who combines technical expertise with innovative thinking.

Caffeine Addiction

Category: Apparel

Competitions: Taiwan Region

《Caffeine Addiction》integrates two core inspirations: the psychological dependency on caffeine in daily life and visual language of coffee staining and diffusion. Caffeine is not only a stimulant beverage, but also a subtle force that gradually infiltrates everyday rhythms, creating a fluctuating state between alertness and fatigue. This continuous cycle of dependence becomes the conceptual foundation of the collection. Visually, the work is inspired by the natural spreading of coffee as it drips, seeps, and stains surfaces, forming unpredictable gradients and organic textures. These diffusion patterns reflect both material behavior and emotional instability, echoing how caffeine affects the body and mind through cycles of concentration, exhaustion, and renewed reliance. In terms of technique, traditional lacquer fan dyeing and cloud dyeing methods are reinterpreted using coffee grounds as a natural dye medium. The use of coffee residue not only strengthens the conceptual connection to caffeine, but also introduces an eco-material approach that emphasizes reuse and material memory. Applied onto leather, the dye creates layered, fluid textures that resemble coffee absorption and sedimentation. This is further combined with my expertise in knitting, where soft knitted structures interact with dyed leather to build contrast, depth, and multi-layered composition. By merging psychological dependency with coffee-ground cloud dyeing and visual diffusion, the collection transforms the abstract condition of addition into a tangible fashion expression, where material, process, and emotion are inseparably intertwined.

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