敏婷 陈
Guangzhou Panyu Polytechnic
我是皮具艺术设计专业在读学生，深耕真皮配饰设计，创作聚焦朋克、Y2K暗黑亚文化赛道，完整打造颈圈、腰带、腕饰成套皮革配饰系列。创作以头层真皮为核心材质，融合星芒几何压纹、复古金属链条、交叉束缚皮带、神秘眼形图腾等标志性视觉符号，重构传统皮具配饰的设计语言。
我长期调研千禧涩谷辣妹、哥特朋克穿搭体系与复古皮革手工工艺，擅长黑白钢笔手绘还原皮革肌理、五金明暗质感，始终秉持“真皮承载自我表达”的设计内核。系列创作注重单品视觉统一性，三件配饰共用同款压纹、五金与链条语言，兼顾日常佩戴舒适度与小众反叛氛围感。课余持续实操皮革车缝、模切压印、五金组合工艺，积累完整落地设计经验。
希望通过本次「真皮真自我」全球学生设计大赛，让亚文化真皮配饰设计获得更多关注，以天然皮革材质诠释当代青年拒绝标签、忠于本心的精神内核，持续挖掘真皮材质与先锋亚文化美学的融合边界。
I am an undergraduate student majoring in Leather Art and Design, concentrating on genuine leather accessories design. My creative direction centers on punk and Y2K dark subculture, developing complete matching leather sets including chokers, waist belts and wrist cuffs. Taking full-grain genuine leather as my core material, I integrate star geometric embossing, vintage metal chains, crossed restraint straps and mysterious eye totems to reshape the design logic of traditional leather accessories.
I conduct in-depth research on millennium gyaru, goth punk fashion and classic leather craftsmanship. I excel at black-and-white ink drawing to restore delicate leather texture and metallic hardware shading, holding the core design belief that genuine leather is the carrier of self-expression. My series maintains consistent visual language across all three pieces with unified embossing, chains and metal fittings, balancing wearable comfort and edgy avant-garde aesthetics. I constantly practice leather sewing, embossing and hardware assembly to enrich my practical design capability.
I aim to showcase niche subculture leather accessories through the Real Leather Stay Different Student Design Competition. With natural leather, I interpret young people’s spirit of breaking stereotypes and staying true to themselves, and keep exploring more creative combinations between genuine leather and avant-garde subculture aesthetics.
