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珩钰 韩

湖北美术学院

韩珩钰,2004 年 2 月生,湖北美术学院 22 级服装与服饰设计专业本科生(大三) 。学业成绩优异,平均成绩 90+,居专业前 10% ,擅长 PS、AI 等多种设计软件。 在校担任时尚艺术学院团委学生会融媒体中心部长,校园实践丰富。2025 年在米兰设计周多个赛事中斩获佳绩,获省赛一等奖 2 项、三等奖 1 项,还在其他设计大赛中多次入围、获奖。2025 年 3 月担任中国国际时装周会务协助志愿者,负责现场执行、票务管理等工作。 热爱时尚潮流,注重从多元场景汲取灵感融入设计,秉持吃苦耐劳与团队协作精神,不断追求在服装设计领域创作出更具独特性与时尚感的作品。 Han Hengyu, born in February 2004, is an undergraduate student (junior year) majoring in Fashion and Costume Design at Hubei Institute of Fine Arts, Class of 2022. With excellent academic performance, her average score exceeds 90, ranking among the top 10% of her major. She is proficient in various design software such as PS and AI. As the Minister of the Media Center of the Youth League Committee and Student Union of the School of Fashion Art, she has rich campus practice experience. In 2025, she achieved remarkable results in multiple competitions of the Milan Design Week, winning 2 first prizes and 1 third prize in provincial competitions, and has also been shortlisted and awarded in other design competitions for many times. In March 2025, she served as a volunteer for the China International Fashion Week, responsible for on-site execution, ticket management and other work. Passionate about fashion trends, she focuses on drawing inspiration from diverse scenarios and integrating them into her designs. Upholding the spirit of hard work and teamwork, she continues to pursue the creation of more unique and fashionable works in the field of fashion design.

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在宝相花盛开时When the Baoxiang Flower Bloom

Category: Apparel

Competitions: China Mainland

作品《在宝相花盛开时》以敦煌艺术瑰宝——宝相花为核心灵感,巧妙融合传统纹样精髓与模块化设计理念。宝相花,又称宝莲花,其艺术魅力在于形态的千变万化:常以莲花为基底,荟萃牡丹、忍冬等花卉精粹,通过花瓣的层叠舒展、卷曲流转与精妙对称,构筑出繁复而充满张力的图案。其在敦煌壁画中更随朝代更迭而演变,或圆润丰腴,或纤秀灵动,展现出非凡的形态包容性。我从中凝练出6款平面图案,并重点深化第六个图案,运用几何法则进行创新重构,在传承传统纹样韵律之美的同时,注入现代极简美学意趣。 作品践行模块化构想,以隐藏式暗扣为核心连接枢纽,实现托特包、CHOKER、头饰等多形态自如转换,生动呼应宝相花变幻多姿的特质。材质选用质感上乘的牛皮边角料,并依托 CLO3D虚拟制衣技术实现零实物打样,既延续了宝相花的华贵气韵,更以数字化创新精准践行环保理念。用户可随心组合模块,以“变幻多端”的现代设计语言,在日常穿戴中演绎传统纹样的无限可能,最终达成文化薪火相传与可持续时尚理念的完美融合。 The work When the Baoxiang Flower Blooms takes the Dunhuang treasure—the Baoxiang flower—as its core inspiration, masterfully blending the essence of traditional motifs with modular design principles. The Baoxiang flower, also known as the Treasure Lotus, captivates with its ever-changing forms. Typically rooted in the lotus, it incorporates the finest elements of peonies, honeysuckle, and other blossoms. Through layered petals, swirling curves, and exquisite symmetry, it creates intricate and dynamic patterns. Within the Dunhuang murals, the Baoxiang flower evolved across dynasties, ranging from plump and rounded to delicate and ethereal forms, showcasing its remarkable morphological versatility. I distilled six distinct flat patterns from this heritage, focusing on refining the sixth pattern. Applying geometric principles for innovative reconstruction, I preserved the rhythmic beauty of the traditional motif while infusing it with modern minimalist aesthetics. The collection embodies the modular concept. Utilizing concealed magnetic snaps as the central connecting mechanism, pieces seamlessly transform between a tote bag, choker, headpiece, and more—vividly echoing the mutable nature of the Baoxiang flower. Materials feature premium-grade leather offcuts, and leveraging CLO3D virtual garment technology enabled zero-physical prototyping. This approach maintains the flower's luxurious essence while precisely implementing eco-conscious practices through digital innovation. Users can freely combine modules. This "infinitely mutable" modern design language allows traditional motifs to play out limitless possibilities in daily wear. Ultimately, it achieves a perfect fusion: passing the torch of cultural heritage while embracing the principles of sustainable fashion.

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