一诺 崔

Category: Accessories

Competitions: China Mainland

我是一个在风筝影子里长大的潍坊孩子。后来学习箱包设计，心里总记挂着故乡的风筝——它们飞得很高，却很难被真正“带走”。于是，我决定不用印在包上的风筝图案，而是去“造”一只风筝。我提取了潍坊风筝的几大造型结构，用天然竹条架起包的内部支撑，用透明皮革模仿丝绢，复刻风筝在阳光下的通透质感。当光线和风穿过，飘带扬起，包就轻盈得像一只呼吸的风筝。这组作品叫《鸢鸢相抱》:“鸢”是风筝，是故乡;“抱”是我的步履，是远方。它像是一个离家的孩子能给家乡的最深情的拥抱。 从此，故乡的风筝不再只是飞在天上，而是可以陪我们走向更远的世界。 I am a child from Weifang who grew up in the shadow of kites. Later, I studied bag design, but in my heart, I always thought of the kites from my hometown—they fly very high, yet are difficult to truly 'take away.' So, I decided not to print kite patterns on bags, but instead, to 'create' a kite. I extracted the main structural designs of Weifang kites, used natural bamboo strips to build the internal support of the bag, and used transparent leather to imitate silk, replicating the kite's translucent texture under sunlight. When light and wind pass through, and the ribbons flutter, the bag becomes as light as a breathing kite. This collection is called 'Kites Embracing Each Other': 'Kite' represents the kite and my hometown; 'Embrace' represents my steps and the distant places. It is like the most heartfelt hug a child away from home can give to their hometown. From then on, the kites of my hometown no longer just fly in the sky—they can accompany us as we journey to farther worlds.

Category: Accessories

Competitions: China Mainland

Design Concept Inspired by the silhouette and totem patterns of Majiayao pottery (c. 3300–2000 BC), this bag collection transforms ancient ceramic artistry into modern accessories. The structural design echoes Neolithic contours, while the signature monogram reinterprets tribal motifs. Functional Innovation Featuring detachable components and a magnetic system, the bag adapts into 9 carrying styles (e.g., crossbody, tote, clutch,……). This versatility supports seamless transitions between urban, outdoor, and formal scenarios, embodying sustainable long-term use. Cultural Expression A custom DIY charm—crafted from ethically sourced leather—visually narrates the Majiayao inspiration, enabling wearers to personalize their connection to heritage. Target Audience Designed for independent women who embrace natural aesthetics, effortless elegance, and conscious consumption. The bag resonates with those seeking harmony with nature and timeless style. 灵感溯源与文化诠释： 从马家窑陶器的形态语言汲取养分，我将其独特的廓形精髓凝练、转化，构筑了包袋的基础形态与结构。同时，提取图腾纹样，经过现代设计的提炼与再创造，演化成老花图案，用在内衬上，使传统文化基因在现代设计中焕发新生。 • 创新功能与可持续理念： 本作品的核心亮点在于突破性的多功能转换系统。通过精心构思的可拆卸组件设计与高效磁吸系统的无缝协作，这款包袋能够自由变形，展现出高达多种截然不同的背携方式（如手提、单肩、斜挎、手拿等形态及其组合）。这一创新设计真正实现了“一包多用，自在随心”，完美适配从通勤职场到休闲旅行、从都市社交到自然探索等多元生活场景的无缝切换。这不仅是对用户个性化需求的极致回应，更是践行环保与长期主义的核心体现——通过延长单品的生命周期，最大化利用资源，减少不必要的消费与浪费。 • 目标人群定位： 本作品专为追求独立、真实、和谐生活方式的新时代女性而设计。从呈现的模特影像中可清晰感知其气质：她们是拥有独立审美与思考的现代女性，钟情于自然、简约、effortless的“素人风”。她们崇尚长期主义消费观，注重物品的质感、耐用性与情感联结；她们内心渴望亲近自然，珍视文化根源与手作温度。这款包不仅是她们日常的实用配饰，更是彰显其生活态度与价值观的精神载体。 《陶韵方圆》以真皮为载体，融合深厚文化底蕴、突破性功能设计、可持续理念与个性化表达，期待成为当代独立女性从容面对多变世界的经典伙伴。