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潇强 鲁

National Dong Hwa University

我是一名东华大学一名学生,关注传统文化、材料工艺与当代生活方式之间的联系。我的设计实践主要涉及箱包、生活用品与可持续产品,擅长从汉字结构、自然形态和东方审美中提取设计语言,并将其转化为产品的造型、功能与制造逻辑。我认为传统文化的当代转译不应停留在纹样装饰层面,而应深入产品结构、材料选择和使用体验。我希望以设计连接传统造物智慧与当代需求,创造兼具文化辨识度、实用价值和可持续理念的产品。I am a student at Donghua University, with a strong interest in the relationship between traditional culture, material craftsmanship, and contemporary lifestyles. My design practice mainly focuses on bags, lifestyle products, and sustainable design. I am skilled at extracting design language from Chinese character structures, natural forms, and Eastern aesthetics, and transforming these elements into product form, function, and manufacturing logic. I believe that the contemporary translation of traditional culture should not remain at the level of decorative patterns, but should be deeply integrated into product structure, material selection, and user experience. Through design, I hope to connect traditional making wisdom with contemporary needs, creating products that combine cultural identity, practical value, and sustainable thinking.

篆境山水 Seal Landscape Collection

Category: Accessories

Competitions: China Mainland

篆境山水》是一组以中国篆体文字结构为灵感的当代真皮箱包系列。作品从篆体“山、水、云”的字形关系中提取中轴、流线、层叠与负形空间,并将其转译为箱包的外骨骼结构、开口方式、承重路径和视觉轮廓,而不是将传统纹样直接装饰在包体表面。 系列包含三款包型:山界 Frame Tote、水行 Flow Sling、云藏 Hidden Hobo。“山界”通过硬挺对称的皮革骨架表达山体的稳定与边界秩序;“水行”以连续弧线和镂空负形表现水的流动与穿行;“云藏”利用层叠开口和内外软硬材质对比,呈现云层包裹、遮蔽与收纳的意象。 材料上,作品以真皮为主体,结合半哑光粒面小牛皮、柔软纳帕皮、立体滚边、边油、车缝线和拉丝古金五金,强化皮具的耐用性、工艺感和可实现性。色彩采用墨黑、雾蓝灰、暖岩灰与焦糖棕,对应山的稳定、水的流动和云的温润。作品希望探索传统文化在当代生活方式中的结构化表达,使汉字与山水意境从视觉符号转化为真实可使用的产品语言。 “印书山水”是一套受中国印字结构启发的当代真皮包系列。设计从“山”、“水”和“云”三字形之间的关系中提取了中心轴线、流畅的线条、层叠和负空间,并将其转化为包的外骨骼、开启方式、承重路径和视觉轮廓,而不仅仅是用传统图案装饰包表面。 该系列包含三种包款:Frame Tote(山境)、Flow Sling(流浪背带)和Hidden Hobo(云隐)。“框架托特包”通过坚硬对称的皮革框架表达了山脉的稳定性和边界秩序;“流流抛射”使用连续曲线和开放式负空间来表现水流和流向;而《隐云》则利用层叠开口和内外软硬材质的对比,呈现云朵包围、遮蔽和封闭的意象。 在材料方面,这些作品主要使用真皮,搭配半哑光纹理小牛皮、柔软的Nappa皮革、立体滚边、边缘涂料、缝线和拉丝古董金配件,以提升皮革制品的耐用性、工艺性和实用性。配色包括墨黑、雾蓝灰、温暖的岩灰和焦糖棕,分别象征山脉的稳定、水流和云朵的温和。这些作品旨在探索传统文化在当代生活方式中的结构化表达,将汉字和风景意象从视觉符号转化为真正可用的产品语言。

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