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Elisa Lucia Miragliotta

Accademia Costume & Moda

My name is Elisa Miragliotta, and I am from Sicily, Italy. My journey in Accessories design started when I moved to Rome, to study in Accademia Costume e Moda. Ever since I can remember, the driving force behind who I am has been understanding: understanding how things are structured and why they are made the way they are. Over time, this evolved into a need: the need to find my own way of making things. I believe in quality, durability, and the purpose of a product. My mind naturally tends to decode, deconstruct, and uncover the logic that underpins things, and in design I have found a balance between rationality and aesthetics. My roots lie in Sicily, a place shaped by handmade objects, adaptation, repairability, and purchases made to last. For this reason, materials are fundamental to the way I approach my work, and consequently so are the sensory dimension and the slowness inherent in it. It is within this slowness that my own revolution takes shape.

Sulla Leggerezza Metafisica

Category: Accessories

Competitions: International

“Lightness quietly takes shape in the form of an echo; it feeds on luminous rays and sighs, on opaque and blurred images, giving life to figures that possess the volatility and radiance of dreams. Sounds, primordial voices, narrate plots in a whispered and hinted manner”: this is how Virgilio Sieni describes his dance, and it is upon these words that the collection “Sulla Leggerezza Metafisica” is nourished and takes form. The collection aims to be an attempt to translate into objects that suspended sensation, that state of non-thought which is a presence within oneself, in a deeply metaphysical and meditative condition. At the core of everything lies the graphic sign, instinctive and essential, as the absolute foundation of the design process: these graphic signs then became everyday objects, which ultimately evolved into leather goods and footwear. Thus, the collection places itself within another dimension, dreamlike and archetypal: by stripping the object of any superfluous line, it becomes absolute, light, unreal, so that, in its aseptic nature, it appears almost artificial. Indeed, the collection establishes an aesthetic of AI, grounded in the belief that the machine does not replace the designers but assists them, without depriving them of their fundamental prerogative: the process itself. Ice white, grey, and accents of yellow define the leather goods, while pastel tones of milk-mint and baby blue dominate the footwear. These colors become luminous on the smooth surfaces of brushed and rubberized leathers.

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