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SHI-PING HUANG

Shih Chien University

I’m Huang Shi-Ping, currently studying in the Department of Fashion Design and Merchandising at Shih Chien University, Kaohsiung Campus. I have an outgoing personality and tend to make people feel as if they’ve known me for a long time. Since I enjoy being outdoors, I have a strong affinity for nature and animals, and I often draw inspiration from everyday observations. In my creative practice, I tend to start from natural ecology, personal experiences, and emotional connections, translating what I observe into design language. I enjoy finding a balance between softness and structure, and through the use of materials, silhouettes, and details, I aim to create works that integrate both visual appeal and functionality. To me, design is not only about aesthetics, but also a way of communicating with users, which is why I consider how each piece can adapt to different contexts and practical needs. Throughout my studies, I have developed the ability to move from concept development and research to hands-on execution. I am also open to experimenting with different materials and approaches to expand the possibilities of my work. At the same time, I value collaboration and communication, as exchanging ideas often leads to new perspectives and more refined outcomes. In the future, I hope to further develop my design language by incorporating my appreciation for nature and everyday life into my work. My goal is to create designs that reflect both personal expression and practical value—pieces that are not only seen, but truly integrated into daily life.

In the Wake of Butterflies

Category: Accessories

Competitions: Taiwan Region

This project draws inspiration from Taiwan’s native purple crow butterfly, translating its distinctive behavioral patterns—migration and aggregation—into a transformable design language. Rather than directly imitating its appearance, the design abstracts the butterfly’s layered wing structure into a system of overlapping forms, creating a visual and tactile balance between softness and structural stability. At the core of the project is a modular construction that enables the object to shift between a hat and a bag. This transformation is not merely functional, but also conceptual, challenging the conventional boundaries and fixed typologies of fashion accessories. By allowing a single piece to adapt to different contexts and modes of use, the design proposes a more fluid relationship between object and user. Materiality plays a crucial role in reinforcing this adaptability. The use of leather provides both durability and flexibility, supporting repeated transformations while maintaining the integrity of the form. Details such as fastening methods and structural connections are carefully considered to ensure seamless transitions between configurations. Situated within the broader discourse of sustainable design, this project adopts a “one object, multiple uses” strategy. By extending the product’s lifecycle and reducing the need for multiple single-purpose items, it encourages a more conscious and resource-efficient approach to consumption. Ultimately, the design reflects an exploration of versatility, longevity, and the evolving role of objects in everyday life.

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