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CHOKCHAI MALILA

Thailand

My name is Chokchai Malila, but I go by the nickname Heng. I am a native of Thailand, born in a suburb in the country's northeastern region. Although I did not receive formal education or training in fashion, I have taken several fashion-related courses at Bunka Fashion School (Thailand) and other institutions, focusing on fashion design, basic sewing, and collection development since high school. My passion for fashion has been with me from the very beginning. I started buying and selling archival designer pieces through thrifting at the age of 15, using savings from my allowance. My design language is deeply influenced by my familiarity with industrial design—a result of growing up in a family that owns a motor parts shop. This background has shaped my aesthetic, which centers on stripped-down concepts and a minimalist approach that values clarity, functionality, and efficiency.

Website

A/H-2568: Footwear Design

Category: Footwear

Competitions: Thailand

"A/H-2568: Footwear Design" A/H-2568: Footwear Design takes its name from the French abbreviation for autumn/winter and the current year in the Buddhist Era calendar—2568—which is 543 years ahead of the Gregorian calendar. While this reference may be unfamiliar to those outside of Thailand, it is an intentional choice that reflects the collection’s minimalist, futuristic sensibility and hints at a speculative vision for the future of footwear design. The collection comprises four distinct designs: boots, derbies, heeled boots, and pumps. Each piece draws inspiration from the stark, structural language of brutalist architecture. That emphasizes raw materials, functionality, and the honesty of construction, specifically the Praxis building by Agustín Hernández Navarro and the former Kone office building by Markku Petäjä. Architectural forms and geometric motifs are directly translated into footwear, reimagining large-scale brutalism as sculptural, wearable fashion. The upper of each shoe is constructed from genuine cowhide leather, chosen for its strength, structure, and bold presence. In contrast, the outsoles are made from recycled aluminium, referencing the industrial precision of Bauhaus-era design, particularly iconic works such as the Le Corbusier chair. These metallic components are fused with leather and rubber to enhance both durability and comfort while maintaining a visually striking profile. The result is a collection that seamlessly blends architectural influence with function, embodying a distinctly industrial and brutalist aesthetic. At the core of the project lies a deliberate juxtaposition of materials: the cold, sleek rigidity of metal set against the organic warmth and tactility of leather. Aluminium symbolizes modernity, strength, and mechanization, while leather evokes craftsmanship, imperfection, and the human touch. Together, they establish a dialogue between the mechanical and the natural—between the manufactured and the organic—resulting in designs that are both contemporary and timeless. Sustainability is also central to the project. When sourced responsibly, genuine leather offers durability and a lower environmental impact over time. The recycled aluminium used for the heels is endlessly reusable—able to be melted down and reformed without degradation—and is engineered for longevity. These material choices reflect a commitment to mindful design, aiming to create footwear that is futuristic, enduring, and environmentally responsible.

Working with our partners at Arts Thread to develop lifelong learning and career opportunities for students of fashion and design. Our partnership provides the opportunity to compete on a world stage, participate in industry led workshops, set up an outstanding portfolio and gain access to the resources that will kickstart careers in fashion and design.