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祖聖 呂

Taiwan Region

我來自台灣台北,畢業於莊敬高職美容科,目前就讀於台南應用科技大學服裝設計系大一。從美容轉向服裝設計,是我對美感與創造力追求的延伸。個性外向、活潑,喜歡與人交流,也樂於嘗試各種新事物,從中激發靈感並運用於創作中。 我熱愛將想像轉化為具體作品,無論是服裝設計或造型搭配,都希望呈現獨特而有故事性的風格。課餘時間也常觀察流行趨勢與不同文化的美學元素,不斷培養自身審美與設計敏感度。未來希望能結合美容與服裝的專業,發展出屬於自己的視覺風格與創作語言,並朝向時尚產業多元發展。 am from Taipei, Taiwan, and graduated from Chuang Ching Vocational High School with a major in Beauty. I am currently a first-year student in the Department of Fashion Design at Tainan University of Technology. Transitioning from beauty to fashion design is a natural extension of my passion for aesthetics and creativity. I am an outgoing and lively person who enjoys communicating with others and exploring new things, often finding inspiration from everyday life to apply to my designs. I love turning imagination into tangible works. Whether it’s fashion design or styling, I strive to create pieces that are unique and tell a story. In my free time, I enjoy observing fashion trends and exploring aesthetic elements from different cultures, constantly refining my taste and sensitivity in design. In the future, I hope to integrate my knowledge of beauty and fashion to develop a distinctive visual style and creative voice, and to pursue diverse opportunities in the fashion industry.

孤Lonely

Category: Apparel

Competitions: Taiwan Region

這套服裝靈感來自一種內心深層的孤獨感 —— 那種在喧囂中感到格格不入,無論外在多熱鬧,內心卻像陷入一個黑洞,無處躲藏、也無人理解的狀態。 服裝使用黑色皮革象徵保護殼,也是一種偽裝與防禦,像是一層堅硬的外表試圖隔絕外界的傷害,但實際上卻更顯內在的脆弱與封閉。 不對稱的肩部造型像情緒失控的蔓延,一邊滑落的線條彷彿無聲的吶喊或正在侵蝕的情感;而腰身向內凹陷的剪裁,表現了心靈的壓縮與自我限制。 服裝正中央的「孤」字,是對自我狀態的直接承認,也像是一道無法忽視的烙印。這不只是情緒,而是存在的一部分。 This outfit is inspired by a profound sense of inner loneliness — the kind that lingers even in the midst of noise and crowds. No matter how lively the surroundings, the heart feels like it’s trapped in a black hole, with nowhere to hide and no one who truly understands. The use of black leather symbolizes a protective shell — a form of disguise and defense. It serves as a hardened exterior meant to block out harm from the outside world, yet paradoxically reveals the vulnerability and isolation within. The asymmetrical shoulder design reflects an emotional unraveling — the way the lines slip downward on one side resembles a silent scream or an emotion that’s slowly corroding the self. The inward cinching at the waist expresses psychological compression and self-restraint. At the center of the garment, the character “孤” (meaning “loneliness”) is a direct acknowledgment of this inner state — like a brand that cannot be ignored. It is not merely an emotion, but an inseparable part of existence.

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