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Yi-Ting Chung

Shih Chien University

Industrial Design

Product Design, Contemporary Craft, Bags

我是一位22歲的設計師,目前就讀於台灣實踐大學工業設計學系。在過去的四年中以產品設計作為主要學習及發展方向,並將工藝設計作為興趣學習項目。對我而言,設計不僅是一種技能,更是一種藝術,我努力將地方文化與個人興趣融合於我的創作中。 我畢業製作的作品以工藝為出發點,在關懷地方文化的同時,也探索將興趣與設計融合的可能性。作為一個對皮件製作的初學者,我嘗試以簡單的折疊方式製作特殊的皮革產品。我希望這件作品能夠讓皮件製作對初學者而言變得更加輕易上手,同時展現出我的設計理念和創作風格。 I am a 22-year-old designer currently enrolled in the Department of Industrial Design at Shih Chien University in Taiwan. Over the past four years, I have pursued product design as my primary area of study and development, while also exploring craftsmanship design as an area of personal interest. To me, design is not just a skill but also an art form, and I strive to blend local culture with my personal interests in my creative endeavors. For my graduation project, I have chosen craftsmanship as the starting point, aiming to not only pay homage to local culture but also to explore the integration of interests and design possibilities. As a beginner in leathercraft, I have been experimenting with simple folding techniques to create unique leather products. My goal is to make leather crafting more accessible for beginners while showcasing my design philosophy and creative style.

Website

BAMUDYE

Category: Accessories

Competitions: Taiwan Region, International

北投地區靠近大屯火山群一帶,旺盛的地質作用造就豐富的泥土種類。使用多元的土質土色作為染色原料,以傳統六角竹編技法的結構型式作為花紋的基礎圖樣,融合兩個北投的特色產物,透過泥染的方式將皮革用呈現出竹編的紋路效果。 在北投當地,竹子湖一帶曾大量栽種竹子,因此以「竹籃」作為最終成品的參考範本。為了讓籃子本身有更強的硬度,選擇比起布料更具支撐性的「皮革」作為籃子的基底材質,並使用縫線在四個角做出更硬挺筆直的效果。籃子的提把部分則以真實的竹材製作,配合細緻的藤花編織,與籃子外側的六角竹編花紋呼應,製作以泥染方式呈現的皮革提籃。 皮籃本身為一體成形,組裝時無須使用縫線結合,而是利用折疊的方式結構,並且將提把包覆在籃體本身結構中,配合螺絲扣固定,製作出可以完全拆平的籃子。 The area near Beitou, adjacent to the Datun Volcanoes, is rich in various types of soil due to vigorous geological activity. Utilizing a diverse range of soil colors as dye materials and employing the traditional hexagonal bamboo weaving technique as the foundational pattern, our work merges two distinctive products of Beitou. Through the technique of mud dyeing, leather is rendered to emulate the texture of bamboo weaving. In the Beitou region, bamboo was once extensively cultivated around the Zhuzihu area, thus serving as the model for the final product, the "bamboo basket." To enhance the structural rigidity of the basket, leather, which provides more support than fabric, was chosen as the base material. Seam lines were used at the four corners to create a sturdier and more straight-edged effect. The handle of the basket was crafted from real bamboo, intricately woven with vine flowers to complement the hexagonal bamboo pattern on the exterior of the basket, which is presented through mud dyeing on leather. The leather basket itself is molded as one piece, requiring no sewing during assembly. Instead, it is structured through folding, with the handle integrated into the body of the basket and secured with screws, allowing for easy disassembly.

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