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Vincenzo Mastropasqua

Accademia Costume & Moda

Fashion Design BFA

Menswear

I’m Vincenzo Mastropasqua, I’m 23 years old and I’m from Venosa, a small town in Basilicata, in southern Italy; here I began to cultivate my passions: art, fashion, dance, but also a great interest in iconographic research. I attended the course in Fashion design and Costume design at the Accademia di Costume e Moda in Rome; the course has been highly educational, and it definitely helped me to mature thanks to the many opportunities I had; one of these is certainly the ACM TALENTS 2023. This project gave me the opportunity to create and see one of my Capsule Collection walk the catwalk in front of a jury of industry experts, who awarded me the first prize in the Fashion Design category. This achievement has certainly spurred me to work even harder, to devote myself to my job and never set limits to accomplish my goals. Determination, curiosity, brightness, creativity, willingness, spirit of adaptation and dynamism are the words I define myself with. In my projects, I take care of every single aspect, from research to the details of the garments, up to the finished product. I like to break the mould by experimenting and creating new shapes and volumes by merging tradition and innovation.
Lately I’ve been mainly focusing on menswear – I would indeed love to work in this sector, although I don’t exclude working in womenswear either. I’ve always dreamed of working as a fashion designer in a maison and grow both professionally and personally. I would love to help a creative team in the research and design processes of a collection. I am always ready to get involved and I am determined to improve.

PEN-PUSHER

Category: Apparel

Competitions: International

“Pen Pusher” is inspired by the alienating working world which leads man to such estrangement to prevent him to recognize himself – a traditional way to conceive work leading to widespread dissatisfaction. The old office settings are the background, typical of Lars Tumbjork’s photographic projects, with cold furnishings with clean lines, labyrinths of spaces and meeting rooms in which only the irrepressible non-conformism of human nature can give a vital breath to urban lifestyle otherwise barren. An extremely serious and static world, evoked in the project through the volumes and typical cuts of old personal computers and mouse, main characters of an informatics revolution, considered necessary by society, which nonetheless, over the years, has hindered daily life and interfered with natural human interactions. The coat is designed to be completely cowhide (as per the brief). 50% is made of smooth leather and the remaining 50% of lasered (or carved) leather, to create a leather mesh.This type of leather processing was chosen to recall the concept, but also to allow the product to be made through upcycling, thus making it even more sustainable. In fact, one could think of recovering leather from garments (even damaged ones) and lasering it. I consider a product to be sustainable when it lasts over time, a product which is both of good quality and able to be recycled through upcycling, thus giving life to a new zero-impact garment; indeed, this product respects all the characteristics required by the brief: ease of recycling, reuse and disposal at the end of its life; the commercial feasibility.

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