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YI-WEN LIN

National Pingtung University of Science and Technology

我目前就讀於時尚相關科系,平時的創作多從觀察日常生活與個人感受出發,嘗試將抽象的想法轉化為具體的設計語言。在設計過程中,我特別關注材質之間的關係與細節的堆疊,希望透過不同元素的組合,讓作品呈現出多層次的視覺與意義。 這次參與袋包設計比賽的作品,以「眼睛」作為核心概念,結合五金元素的拼接與重構,探討「觀看」如何受到外在因素影響。透過碎片化的組合方式,我希望呈現出一種被建構的視覺經驗,也讓作品在造型與概念之間取得平衡。 對我來說,設計不只是造型的呈現,更是一種表達觀點的方式。未來也希望能持續發展個人風格,讓作品在美感之外,能夠帶出更明確的想法與態度。

Category: Accessories

Competitions: Taiwan Region

這次的設計靈感主要來自意象版中的「碎片剪裁」元素。我將不同類型的五金零件與裝飾進行拆解與重組,運用拼接的方式整合於包款之上,讓整體呈現出由多種材質與結構組成的視覺效果。 在主題設定上,我以「眼睛」作為核心發想,將其置於包款中央,作為主要的視覺焦點。周圍搭配鏈條、手錶及金屬裝飾等元素,透過不同五金之間的排列與層次堆疊,增加畫面的豐富度,同時營造出一種被外在元素包覆與影響的狀態。 這些五金配置不只是裝飾,也象徵觀看行為本身會受到多重因素干擾,例如時間、環境與外在條件等,使視覺經驗不再單一,而是被不斷重構。 在包型設計上則刻意維持相對簡潔,避免過多結構干擾主視覺,讓中央的眼睛與周圍的五金組合能更明確地被聚焦,提升整體的辨識度與記憶點 This design is primarily inspired by the "fragmented cutting" element in the conceptual version. I disassembled and reassembled different types of hardware and decorations, integrating them into the bag through a splicing technique, creating a visual effect composed of various materials and structures. In terms of theme, I used the "eye" as the core idea, placing it at the center of the bag as the main visual focal point. Surrounding it are elements such as chains, watches, and metal decorations. Through the arrangement and layering of different hardware, the richness of the image is increased, while creating a state of being enveloped and influenced by external elements. These hardware configurations are not merely decorative; they also symbolize that the act of viewing itself is influenced by multiple factors, such as time, environment, and external conditions, making the visual experience no longer singular but constantly reconstructed. The bag's shape is deliberately kept relatively simple to avoid excessive structure interfering with the main visual focus, allowing the central eye and the surrounding hardware combination to be more clearly focused, enhancing overall recognizability and memorability.

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