空间错构 Spatial misconstruction
Category: Apparel
Competitions: China Mainland
在“空间错构”主题的服装创作中，我以皮革的硬朗质感与天然材料的温润肌理为语言，通过解构重组的再造工艺，探索空间排列秩序的无限可能。运用编织、叠加、镂空与层压等手法，将皮革切割重塑为棱角分明的几何模块，与天然材质交叠缠绕，让刚与柔、人工与自然在同一平面碰撞共生。不同材质的层序变化与疏密布局，如同空间维度的折叠与延展——紧密堆叠的皮革网格传递压迫感与秩序张力，而错落穿插的天然材料脉络则释放自由呼吸感，进一步强化了空间错构的奇幻氛围，让观者在视觉游走与触觉感知中，体验空间错位带来的多维感官冲击，沉浸于材质对话中迸发的独特美学张力，感受一场打破常规、跨越时空的时尚冒险。 In the creation of clothing with the theme of "spatial misconstruction", I use the tough texture of leather and the warm texture of natural materials as the language, and explore the infinite possibilities of spatial arrangement and order through the reengineering process of deconstruction and reconstruction. Using techniques such as weaving, superimposing, hollowing and laminating, the leather is cut and reshaped into angular geometric modules, overlapping and intertwining with natural materials, so that rigidity and softness, artificiality and nature collide and coexist on the same plane. The sequence changes and dense layout of different materials are like the folding and extension of the spatial dimension - the tightly stacked leather grids convey a sense of oppression and order tension, while the interspersed natural material veins release a sense of free breathing, further strengthening the fantasy atmosphere of spatial misconstruction, allowing the audience to experience the multi-dimensional sensory impact brought by spatial dislocation in visual wandering and tactile perception, immerse themselves in the unique aesthetic tension that bursts out in the material dialogue, and feel a fashion adventure that breaks the routine and transcends time and space.
