Side View
Category: Apparel
Competitions: Taiwan Region
This collection draws inspiration from the eagle, focusing on the stark visual contrast between its front and side profiles. Viewed head-on, the eagle appears somewhat restrained—even charming—but from the side, its silhouette becomes sharp, assertive, and powerful. This shift in perspective led me to reflect on how clothing communicates differently depending on the angle: conveying composure and stability from the front, while releasing tension and dynamic structure from the side. This is not about ignoring the front view, but about emphasizing that garments should express complexity and presence from all 360 degrees. In terms of pattern and construction, I place emphasis on the tension and rhythm within the side silhouette, using the contrast between front and side to highlight structural depth and dimensional flow. Unlike designs that prioritize only front-facing visual impact, the side profile represents a more enduring and thoughtful design language. This approach reflects a kind of “subtractive aesthetic” as a sustainable value—one that relies on form and cut to express ideas, rather than transient embellishment or surface effects. For materials, I have chosen leather—a byproduct of the dairy and meat industries. Its inherent strength and durability reduce the need for virgin material production. Leather clearly articulates sharp lines and sculptural volume, which complement the visual language of this collection. Its long-lasting nature also serves as a direct response to the culture of fast fashion and disposability. This series is both a study in animal-inspired observation and a translation of that into wearable form. By reinforcing side-view structure and aligning material choice with sustainable strategies, I aim to give clothing not only formal strength but also a conceptual response to the environmental and cultural responsibilities of contemporary design.
