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Tuyền Lê Ngọc

Trường Đại học Tôn Đức Thắng

Xin chào, em tên là Lê Ngọc Tuyền, hiện đang là sinh viên ngành Thiết kế thời trang tại trường Đại học Tôn Đức Thắng. Em sinh ra và lớn lên tại Bến Tre - một vùng đất mang tên “Xứ Dừa” ở miền Tây sông nước nổi tiếng với những hàng dừa xanh mát. Ngay khi còn nhỏ, em đã có niềm đam mê đặc biệt với thời trang và bị cuốn hút bởi vẻ đẹp của văn hoá truyền thống Việt Nam. Niềm đam mê ấy đã thôi thúc em trở thành một nhà thiết kế thời trang. Em luôn cố gắng học hỏi không ngừng, tìm hiểu và trau dồi cho bản thân thêm kiến thức với mong muốn có thể thiết kế ra những bộ trang phục không chỉ có tính thẩm mỹ mà còn mạng đậm sắc văn hoá Việt Nam.

SẮC ẤN KIM HOANG

Category: Accessories

Competitions: Vietnam

The handbag design is inspired by Kim Hoang folk paintings, expressed through its vibrant colors, bold outlines, and the stylized phoenix motif. The use of contrasting colors such as red, yellow, blue, and purple creates a strong visual impact while symbolizing luck, nobility, and traditional cultural values. The dominant red background, typical of Kim Hoang art, enhances the decorative details and reinforces the product’s visual identity. The bag is primarily made from cow leather, ensuring durability, structure, and long-term use. Its surface is intricately carved, adding depth and a refined handcrafted quality. The sides are constructed using a strip-cutting and weaving technique, resembling a screen-like pattern that evokes traditional materials like bamboo and rattan, contributing to the design’s cultural uniqueness. A key feature is its detachable system with buttons on the sides and base, allowing the strap to be easily removed. This flexibility enables the bag to transform between a shoulder bag and a handheld style. Overall, the design successfully blends traditional artistic elements with modern craftsmanship, resulting in a functional and aesthetically valuable handcrafted fashion product.

NGƯ MÔN

Category: Accessories

Competitions: Vietnam

The “Ngư Môn” collection is inspired by the folk painting “The Carp Leaping over the Dragon Gate” – a representative work of the Hàng Trống painting style, commonly displayed during the Lunar New Year. The image of the carp ascending the falls to transform into a dragon represents the aspiration to rise to new heights. Besides, the painting is a metaphor for reminding people to cultivate and improve their own abilities. This collection harmoniously blends traditional aesthetics with contemporary fashion. Drawing from the painting's symbolism, I incorporated key motifs such as carp, clouds, waves, and gate as the foundation for the design. Front and back panel of the bag is crafted from cowhide leather, shaped and detailed by stylizing cloud and wave patterns. These motifs are layered using cut and stitched leather to create a multi-dimensional surface that adds visual depth. The metal handle, symbolizing the “dargon gate” which is a threshold of transformation and challenge, is simplified into three interconnected arches, evoking the image of an open gate leading to a breakthrough. At the center of the bag’s front is a sun flanked by five carp of varying sizes swimming upstream, depicted using laser-cutting and leather carving techniques to bring out raised contours and patchs.The color palette reflects the symbolic journey of the carp: blue for water, red for the sky, and gold for light—traditional tones often seen in folk paintings, but also symbolizing movement and the journey through the rapids. The “The Carp Leaping over the Dragon Gate” handbag is a seamless integration of cultural artistry and modern design. It aspires not only to deliver aesthetic appeal but also to carry deep cultural significance. I hope this design resonates with young individuals who value originality, honor their heritage, and continually strive for growth and transformation in life.

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