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志浪 钱

Jiangxi Institute of Fashion Technology

钱志浪 江西服装学院服装设计专业大三在读 本人对服装剪裁与材质表达抱有浓厚兴趣,在校期间系统学习服装设计基础与创新工艺,偏好探索先锋设计语言与日常实穿性的平衡,习惯从不同领域的概念碰撞中提取设计灵感,在实践中持续打磨个人设计风格与工艺能力。 Qian Zhilang Junior Student, Fashion Design Major, Jiangxi Institute of Fashion Technology I have nurtured a strong interest in clothing tailoring and material expression since childhood. During my studies on campus, I have systematically learned the fundamentals of fashion design and innovative craftsmanship. I prefer exploring the balance between avant-garde design language and daily wearability, and I am used to extracting design inspiration from conceptual collisions across different fields, continuously refining my personal design style and crafting capabilities through practice.

二元句法:皮与绒/ Binary Syntax: Hide & Cash

Category: Apparel

Competitions: China Mainland

本系列《Binary Syntax: Hide & Cash》的设计灵感,源于二进制代码中“0与1”对立共生的底层逻辑,也对应着当代人在社交与独处中切换的双重状态——对外以坚硬的外壳应对世界,独处时回归柔软的自我。 选择挺括冷硬的天然牛皮,搭配蓬松轻盈的环保皮草与羊绒,将两种属性完全相悖的材质像二进制代码单元一样拼接组合:用哑光牛皮塑造利落廓形承接对外的硬朗感,用渐变灰度的皮草做局部拼接,保留住藏在坚硬下的柔软松弛。 系列整体采用低饱和黑灰调,弱化色彩干扰,将视觉重心完全落在材质肌理的碰撞之上,打破了不同材质间的刻板边界,既探索了真皮与皮草材质结合的更多可能性,也传递出“不用非黑即白,坚硬与柔软本就可以共生,完整的自我本就包含不同面向”的设计思考,用材质语言回应“真自我”的设计命题。 Nspired by the underlying logic of opposition and symbiosis between "0 and 1" in binary code, the series Binary Syntax: Hide & Fur also corresponds to the dual state of contemporary people switching between social interaction and solitude: we face the world with a hard shell outward, and return to our soft true self when alone. Taking "Real Leather, True Self" as the core proposition, this design selects stiff and cool natural cowhide, matches with fluffy and light eco-friendly fur and cashmere, and splices two materials with completely opposite properties just like binary code units: it uses matte cowhide to create clean silhouettes to carry the outward sense of hardness, and uses gradient gray fur for partial splicing to retain the soft relaxation hidden under hardness. The whole series adopts low-saturation black and gray tones, weakens color interference, and focuses all visual attention on the collision of material textures. It breaks the stereotypical boundaries between different materials, not only explores more possibilities for the combination of leather and fur materials, but also conveys the design concept that "there is no need for black-or-white thinking, hardness and softness can coexist, and a complete self naturally includes different facets", responding to the "True Self" design proposition with material language.

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