植生纪元THE PLANT ERA

Category: Apparel

当时间成为土壤，衣物是文明的遗迹。在钢筋与数据构筑的末世里，自然以最原始的姿态重掌主权。本系列将”古旧皮革”视为被遗忘的文明残骸，苔藓、地衣与树木纹理则成为覆盖其上的新生语言——设计师以服装为媒介，探讨毁灭与重生、衰败与繁荣的永恒轮回。“植物纪元”是一场逆向进化论的宣言：最柔弱的生命终将征服最坚硬的文明。服装中破损的皮革与蓬勃的植物纹理形成张力，提醒我们——真正的永恒不属于金属与代码，而属于裂缝中倔强滋长的绿意。 我们穿着遗迹，也穿着新生。 “如果服装是人类的第二层皮肤，当自然吞噬了第一层皮肤，我们该穿什么？” 本服装是对后疫情时代“人类地球主宰权”的普遍质疑 设计师用设计构建“”反乌托邦寓言”： 皮革（人类文明的掠夺符号）被苔藓（最低等却最顽强的生命体）殖民，形成权力关系的倒置 以此呈现终极命题：“服装能否成为物种平等的宣言？” When time becomes the soil, clothing becomes the relics of civilization. In the post-apocalyptic world constructed by steel and data, nature regains sovereignty in its most primitive form. This series regards "antique leather" as the forgotten remnants of a civilization, while moss, lichens and tree textures become the new language covering them - the designer uses clothing as a medium to explore the eternal cycle of destruction and rebirth, decline and prosperity. "The Plant Era" is a declaration of reverse evolution theory: the weakest life will eventually conquer the hardest civilization. The damaged leather and vigorous plant textures in the clothing form tension, reminding us - true eternity does not belong to metal and code, but to the stubborn growth of greenery in the cracks. We wear the relics, and we also wear the new life. "If clothing is the human's second skin, when the natural world consumes the first skin, what should we wear?" This clothing design is a universal questioning of the "domination of humanity over the Earth" in the post-pandemic era. The designer uses design to construct an "anti-utopian allegory": Leather (a symbol of the plundering of human civilization) is colonized by moss (the lowest yet most tenacious life form), resulting in the inversion of power relations. This is used to present the ultimate proposition: "Can clothing become a declaration of species equality?"