XINQI CHANG

Category: Accessories

Competitions: China Mainland

设计说明： 华北平原，这片土地教会我‘生于斯，长于斯’的厚重，却也让我看见人们‘困于土地，献给土地’的沉默。我想用设计打破这种静止——《仓》是一组适应新归乡人的城乡双栖生活的可变配饰，以农耕智慧为灵感，实现功能与场景的转换，“仓”本身即是土地馈赠的物化象征，在中国古代是收纳谷物的工具，在这里包也具有承载物品之意，我意在将静态的粮仓转化为动态的“行走容器”，春播场景中的遮阳帽可转变为播种工具袋或肩包；夏耕场景中的工作服可转换为商务肩包，衔接田间劳作与都市办公；秋收场景中的“稻草人”以沉默的姿态守护谷物，同时作为农具的临时归所。同时，设计巧妙融合了在地材料稻草编织与废旧皮革的再利用，体现了可持续性和功能性的结合，特别是“两用配饰”的设计理念，更是通过一物多用的方式，最大化节省材料，赋予作品新的生命与意义。 Work Description: The North China Plain, a land that has taught me the weight of "born here, raised here," yet also shows me the silent struggle of people who are "bound to the land, dedicated to the land." I aim to break this stillness through design. "Warehouse" is a series of adaptable accessories for the new generation of returnees, bridging rural and urban life with agricultural wisdom as inspiration, enabling the transformation of function and scenes. The "warehouse" itself is a materialized symbol of the land’s gifts. In ancient China, it was a tool for storing grains, and in this context, the bag also represents the carrying of items. I intend to transform the static granary into a dynamic "walking container." In the spring sowing scene, a sun hat can transform into a seed bag or shoulder bag; in the summer plowing scene, workwear can convert into a business shoulder bag, bridging the gap between field labor and urban office work; in the autumn harvest scene, the "scarecrow" silently guards the grain, while also serving as a temporary resting place for farming tools. At the same time, the design cleverly integrates local materials such as straw weaving with the reuse of discarded leather, showcasing the combination of sustainability and functionality. The concept of "dual-use accessories" maximizes material conservation, breathing new life and meaning into the work.

Category: Accessories

Competitions: China Mainland

Urban Dreamwalker 西部女孩的世界是身穿干练的马靴和背心，双眼闪耀着顽皮智慧的光芒，洋溢着野性和无拘无束，仿佛与这片土地融为一体。运用真皮皮革和牛仔进行结合，探索皮革的多种可能性，皮革与其他材料的结合能够让皮革更广泛的被大家认识和使用，并试图将西部女孩的日常穿搭元素进行转化。从十八世纪马背上的英雄，服饰装备作为功能性到现在被时尚品牌加以延续，无论是西部文化的精神还是服饰，都值得学习和应用，受到《西部世界》电影的启发，希望这种风格和未来感结合，复古未来主义是指早期艺术家对未来的构想所描绘出的风格，我认为是一种过去，现在与未来的交错混合，我想结合西部牛仔元素进行包的造型构思，例如马鞍脚蹬形状的提手，马鞍座驾的形状等，在材质选择上选择牛仔和未来感材质的皮料进行结合，传达一种在城市中穿梭的独立，坚定，勇敢的女战士的形象。 制作出来的这款包可以展现三种不同的形态进行手提，如图所示。 The world of Western girls is dressed in capable boots and vests, with mischievous wisdom shining in their eyes, filled with wildness and freedom, as if blending into this land. Attempting to transform the daily dressing elements of Western girls. From the heroes on horseback in the 18th century, clothing and equipment have been functional and continue to be used by fashion brands. Whether it is the spirit of Western culture or clothing, they are worth learning and applying. Inspired by the movie "World of the West", I hope this style can be combined with a sense of the future. I searched for the concept and information of retro futurism, which refers to the style depicted by early artists for the future. I believe it is a mix of the past, present, and future. I want to combine Western denim elements to design the bag, and choose leather materials that combine denim and futuristic materials to convey the image of an independent, firm, and brave female warrior traveling in the city. The bag produced can display three different forms for carrying, as shown in the picture.