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Yichen Zhan

Shih Chien University

My name is Yi-Chen Zhan , and I began working with leather about six months ago through a bag design course, gradually developing a design approach that balances both aesthetic style and practical functionality. To me, leather is more than just a material; it is a medium that evolves over time, carrying traces of use and personal memories. Its durability and sense of history allow each piece to accompany everyday life in a lasting way. My work focuses on user experience, aiming to go beyond functionality by creating designs that offer comfort and a sense of enjoyment. Stylistically, I am drawn to a healing and playful atmosphere, incorporating retro color contrasts and circular elements to build a distinct visual language. Through this approach, I hope my pieces can serve not only as functional objects but also as emotional companions in daily life. My inspiration comes from animals, nature, and observations of everyday life. I integrate my aesthetic sensibilities developed through fashion styling, layout design, and handcraft practices to create a cohesive and recognizable design identity. I am particularly skilled in color coordination and atmosphere building, using subtle details to add depth and emotional resonance to my work. Through this competition, I hope to further explore the possibilities of leather as a creative medium and to refine a more distinctive and well-defined personal design language.

Flowing rhythm

Category: Accessories

Competitions: Taiwan Region

Inspiration: The design draws inspiration from the movement of a fish in water, observing how its body naturally responds to fluid resistance and current. It captures the rhythmic cycle of contraction and expansion as the fish propels itself forward, creating a continuous interplay between tension and release. This dynamic sense of motion is reinterpreted into a structured form, transforming an intangible, fluid movement into a tangible and sculptural object. Rather than directly imitating the appearance of water or fish, the design focuses on translating motion into spatial language, where movement becomes structure and rhythm becomes form. Design concept: When a fish swims through water, its body continuously contracts and extends in response to the surrounding flow, generating a sense of organic cadence and elastic tension. This perception of flowing rhythm is translated into the bag’s surrounding three-dimensional pleated structure. The pleats extend and fold outward in layered progression, echoing both the texture and skeletal framework of a fish, while also suggesting a controlled yet fluid expansion of form. As the structure unfolds, it creates a sense of internal energy being released outward, forming an organic silhouette that appears to be in a constant state of breathing and motion. The final design embodies a balance between structure and fluidity, capturing the essence of living movement within a constructed form.

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