《风蚀之貌》

Category: Accessories

设计说明： 本作品以“沙丘”作为形态语言，承载了对自然秩序与可持续未来的深刻思考。沙丘作为自然演化的结果，由风塑成、由时间沉积，展现出了一种自然美学。在面对生态危机与资源过度消耗的当下，本设计试图以自然形态唤起对环境保护的共鸣。 包包主体采用可再生植鞣革，通过回收咖啡渣进行染色，采用叠层切割与热压塑形技艺形成起伏有致的“沙丘肌理”，体现自然时间作用下的雕刻之美。提手结构则取材于自然曲线-风形轮廓-以可持续木材制成框架，并通过麻绳张力连接包体，构成形式上的“悬浮感”，表达自然与人工秩序的张力与和解。 “风蚀之貌”不是为了还原自然，而是想让人们看见自然在可持续材料与结构中的回响。在这个过度制造的时代，我们是否愿意让设计慢下来，不只是借形于自然，而是学会像它一样，留下而不过度表达。 Design Description: This work uses "sand dunes" as a morphological language, carrying a profound reflection on the natural order and sustainable future. As a result of natural evolution, sand dunes are shaped by wind and deposited by time, showing a natural aesthetic. In the face of ecological crisis and excessive resource consumption, this design attempts to evoke resonance with environmental protection in natural forms. The main body of the bag is made of renewable vegetable tanned leather, dyed by recycled coffee grounds, and the undulating "sand dune texture" is formed by stacking cutting and hot pressing shaping techniques, reflecting the beauty of sculpture under the action of natural time. The handle structure is based on natural curves-wind-shaped contours-made of sustainable wood frames, and the bag body is connected by hemp rope tension, forming a formal "suspension sense", expressing the tension and reconciliation between natural and artificial order. "Eroded Profile" is not to restore nature, but to let people see the echo of nature in sustainable materials and structures. In this era of over-manufacturing, are we willing to slow down the design, not just borrowing from nature, but learning to stay like it without over-expression.

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